BRIAN CASTRIOTA

archaeological & time-based media art conservator





PUBLICATIONS

2021
Castriota, Brian and Neil Clements. “On Creation and Conservation: Neil Clements and Brian Castriota in Conversation.” In Fellow Traveller, edited by Dominic Paterson, np. Glasgow: Hunterian Art Gallery.
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2021
Castriota, Brian. 2021. “Ringing From the Darkness: On Lithophones.” In Dark Matter, eds. A. Sutcliffe & K. Timney. 72–81. Glasgow: Pala Press
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︎︎︎ physical


2021
Frank, Emily B., and Brian Castriota. 2021. “Fifty-plus Years of On-Site Metals Conservation at Sardis: Correlating Treatment Efficacy and Implementing New Approaches.” In Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021, ed. J. Bridgland. Paris: International Council of Museums.
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2019
Castriota, Brian. 2019. “Authenticity, Identity, and Essentialism: Reframing Conservation Practice.” In What Is the Essence of Conservation? Papers from the ICOM-CC and ICOFOM Session at the 25th General Conference Held in Kyoto, 4 September 2019, eds. F. Mairesse and R.F. Peters, 39–48. Paris: ICOFOM.

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2019
Bunz, Sophie, Brian Castriota, and Flaminia Fortunato. 2019. “How Sustainable is File-Based Video Art? Exploring the Foundations for Best Practice Development.” Electronic Media Review, Volume 4.
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2016
Castriota, Brian. 2016. “Mediating Meanings: Conservation of the Staffordshire Hoard.” Postmedieval, Volume 7, Issue 3. 
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Forthcoming
Castriota, Brian, and Hélia Marçal. 2021 “Always Already Fragment: Integrity, Deferral, and Possibility in the Conservation of Cultural Heritage.” In The Fragment in the Digital Age: Possibilites and risks of new conservation techniques. Proceedings of the interdisciplinary conference of the HAWK University of Applied Sciences and Arts in cooperation with ICOMOS and the VDR, 6–8 May 2021 in Hildesheim, eds. U. Schädler-Saub and A. Weyer, pp. TBD. Petersberg: Michael Imhof Verlag.


Castriota, Brian. 2021. “Object Trouble: Constructing and Performing Artwork Identity in the Museum.” ArtMatters, [Vol/Issue TBD].


Castriota, Brian. 2021. “Instantiation, Actualization, and Absence in Katie Paterson’s ‘Future Library’ (2014-2114).” Journal of the American Institute of Conservation, [Vol/Issue TBD].


Castriota, Brian. 2021. “Authenticity and the Type-Token Distinction in the Conservation of Contemporary Art.” Studies in Conservation, [Vol/Issue TBD].


Castriota, Brian. "Authenticity." In ICOM Dictionary of Museology, edited by Franaçois Mairesse, pp. TBD. Paris: Routledge, 2021.


Castriota, Brian. 2021. “Centres in Flux: A Poststructuralist Approach to Authenticity in the Conservation of Contemporary Art.” In Proceedings of the International Congress on Theories and History of Conservation, Mexico City, 18–21 September 2018, pp. TBD. Mexico City: CNCPC-ENCRyM.


Wharton, Glenn, Brian Castriota, and Rebecca Gordon, eds. 2022. Philisophical Issues in the Conservation of Contemporary Art. Los Angeles: Getty Conservation Institute.



© brian castriota 2021.